Mary Robinette Kowal adds:
“In my decade with the organization, the fact that we are forced to present this publicly is unprecedented. So too, are the problems. The simple problem is that we have a writer who is not being paid.
The larger problem has the potential to affect every writer. Disney’s argument is that they have purchased the rights but not the obligations of the contract. In other words, they believe they have the right to publish work, but are not obligated to pay the writer no matter what the contract says. If we let this stand, it could set precedent to fundamentally alter the way copyright and contracts operate in the United States. All a publisher would have to do to break a contract would be to sell it to a sibling company.
If they are doing this to Alan Dean Foster, one of the great science fiction writers of our time, then what are they doing to the younger writers who do not know that a contract is a contract?
To resolve the immediate issue regarding their breach of contract with Alan Dean Foster, Disney has three choices:
- Pay Alan Dean Foster all back royalties as well as any future royalties.
- Publication ceases until new contract(s) are signed, and pay all back royalties to Alan Dean Foster as well as any future royalties.
- Publication ceases and pay all back royalties to Alan Dean Foster.
This starts with a conversation. You have our contact information and offer to sit down with a Disney representative, Alan’s agent Vaughne Lee Hansen, and a SFWA representative.
Regardless of choice, Disney must pay Alan Dean Foster.
If you’re a fan of Alan Dean Foster or believe that a writer’s work has value, please let Disney know.
If you are a writer experiencing similar problems with Disney or another company, please report your circumstances to us here.”